For the second year in a row after the surprisingly better-than-expected You Are The One <我的筍盤男友> (2020), Carlos Chan has struck gold — at least in terms of quality — with another romantic comedy in Ready O/R Knot <不日成婚>, which marks the directorial debut of Anselm Chan (Mau-Yin).
Continue reading Ready O/R Knot 不日成婚 (2021) Review
Released just in time during the Valentine’s Day week (even though it was already debuted earlier in Hong Kong cinemas as part of their Chinese New Year movie slots), I initially have zero expectations when I went in to watch You Are The One <我的筍盤男友>.
Continue reading You Are The One 我的筍盤男友 (2020) Review
After spending the first two years working as a co-director in the award-winning Ten Years <十年> and Trivisa <樹大招風> in 2015 and 2016, Distinction <非同凡響> marks his first true test as a solo director.
Continue reading HKFA 2019 Review: Distinction 非同凡響