Come Back Home 搜救 (2022) Review

Taking a break from martial arts/action-movie roles for a change, Donnie Yen tries to flex his dramatic chops in Come Back Home <搜救>. The movie also marked the return of Lo Chi-Leung — his first movie in seven years since he last directed The Vanished Murderer <消失的兇手> in 2015.

Continue reading Come Back Home 搜救 (2022) Review